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Juichi Yoshikawa
(born 1943 in Fukui, Japan) is a Japanese calligraphist, or ''sho'' artist, who studied calligraphy formally under Inamura Undo, and later with Ueda Sokiu.〔(Planeta - Viaggio In Sicilia VIS3 )〕 Yoshikawa's ''avant garde'' trademark "three and a half dimensions" style applies observation as the additional dimension. To an untrained observer, this approach might be characterized as artistic flamboyance known by the use of giant brushes and stadium-sized canvases〔(World Shorinji Kempo Organization )〕 - or, as in the large 1990 Beijing installation, by almost completely covering the 5,000 square metres of Tiananmen Square.〔(Al Rawi Newspaper | ''Calligrapher a stroke of genius'' )〕
Yoshikawa's work has been presented throughout Japan, China, and the Middle East,〔(Embassy of Japan in the United Arab Emirates )〕 and he is the author of a 1993 French publication on his form, ''Sho''.〔(Sho | ISBN 2-906962-71-6 )〕
He has collaborated several times with the lyricist, Chris Mosdell, illustrating what are essentially poetic works with experimental calligraphy. The first collection,
''Shake the Whole World To Its Foundations'' (2001 Shichosha Publishing), is an epic rhythmical chant densely type-set on the page with delicate and often simple brush-stroke accompaniments. The second publication, ''The Erotic Odes: A Pillow Book'', couples verse by Mosdell with digitally stylized erotic ''shunga'' woodcut prints from the Edo Era overlaid with sensual calligraphy and ink-seepage creations by Yoshikawa. A full-color edition, originally published by Libroport in 1997, was fully color-enhanced and re-printed in 2008 by Seigensha Publishing.
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Juichi Yoshikawa」の詳細全文を読む
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